Projects and Writing Samples by Martha O'Connell


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By Martha O’Connell

Picture block party after block party where everyone talks about the same house all the time.  That’s because in a tract housing subdivision, there’s not much difference from one house to the next.

In many cases, the monotony of production houses spurs homeowners to want old-style homes that stand out and proclaim its occupants are different from their neighbors.

Elgin homeowners Steve and Laura Stroud took on a huge rehab job that has given them a great sense of accomplishment because they have preserved fine work that just can’t be replicated nowadays.

Nine years ago, they bought a neglected 3,600 s.f. Victorian built in 1886 in one of the city’s historic districts.  It had been converted into five apartments at one time in a neighborhood once plagued by crime.  Many buyers would not have given it a second look, but today, the revived single-family home has won praise and been pictured on the city’s historic district sign.

“I guess I have a knack for looking at something and not seeing what it is but what it can be,” Steve says, who adds that he undertook the project because he felt he had a diamond in the rough.  “The craftsmanship just does not exist today.  To create from new the details we have in this house would be extraordinarily expensive.”

The restored house has 14 rooms, five fireplaces, four porches and ornate exterior detailing just to mention a few things.  Even structural things items attest to the home’s quality – Stroud points to the 12 x 12 basement beam supporting the house that you just don’t find in today’s housing lumber stock.

The Strouds are among those the city of Elgin has helped financially and it’s made a huge difference in the city’s neighborhoods.  Elgin has one of Illinois’ most diverse collections of older homes dating back a hundred years – everything from Victorian, Italianates, Tudors, Prairie style, Cobblestone homes and even the Sears “kit” homes.

Most were built by early settlers of the area who were craftsmen of German and Scottish ancestry.

The city offers financial assistance for certain types of housing rehab projects in its three historic districts.  That perk has been key in luring homeowners to invest in those neighborhoods and improve the houses.  In many cases, homes are just “tired” but very salvageable.

The city benefits by reducing crime, and seeing property values increase and improve the tax base.  Homewalks through the district held in recent years have yielded rave reviews and higher-than-expected turnouts in the thousands.

“Homeowners are really sinking in a lot of money and turning their homes into many hundreds of thousands of dollar homes because there is that confidence,” says Cherie Murphy, Elgin neighborhood liaison and also a city homeowner.  “It has been great to create that sense of community, and the quality of life in the community has risen too.”

Old houses appeal because they evoke a sense of old Chicago, says Ellen Christensen, curator of the Chicago Architecture Foundation.  Often, they have an identity linked to a specific neighborhood and they’ve proven their mettle lasting through a couple of wars.

The exterior attests to its longevity, but when it comes to the guts of a house, that’s not something owners covet.  Hundred-year-old plumbing and electric lines just won’t cut it.

“People don’t want that but they want some connection to the past so they get it through style,” Christensen says.

Many homeowners don’t have the patience or see financial wisdom in a gut rehab so they knock houses down.  They rebuild the same style home without those “age spots.”

There is another detail that Christensen adds needs consideration.  Building an old-style home is not an automatic win-win for the neighborhood.  Even a beautiful, accurate replica is out of place if it does not fit in with the housing styles around it.

Owner Stephen Lane of Lane Custom Homes in St. Charles specializes in historic restoration and has built several single-family subdivisions in St. Charles where homes replicate a variety of turn-of-the-century styles.  A frequent customer for him is a move -up buyer who got started in production housing and now craves something more distinctive.  They often have an appreciation for old architecture.

“You need a client who respects the style and believes in it and understands it,” Lane says.  “They are tired of (tract housing) and they want to impart some individuality into their home decision.  They want something that when they drive up, they can be proud of and it says something about themselves.”

Pam sand Skip Thompson bought a four-square home at Fox Mill, one of Lane’s subdivisions, in part because it made them nostalgic about their youth.  To Skip, the 3,100-square-foot home reminded him of his grandparents’ Ohio farmhouse.  Pam was immediately drawn to the front porch and then the interior sold them.

“We have been in several different types of houses and this one is one of my favorites simply because it is very cozy,” Pam says.

However much owners love the exterior, recently-built old-style houses often are different inside to suit modern living.

“We are not fools to the market,” Lane says.  “We understand that people want three-car garages and master deluxe baths and double ovens.”

It’s not just the single-family homes that pay homage to predecessors of times long gone.  The same architecture is popping up in new construction multi-family homes.

One, the Prairie Avenue District off of 18th Street is under construction with 49 townhomes, 177 condos and 138 lofts.  Done by Legacy Development Group, the Victorian-style development area on the Near South Side is formerly home to prestigious tycoons such as Marshall Field, George Pullman and Phillip Armour.

Buyers Mark Kieras and wife Kim were impressed with the architecture of the development and the attention payed to the area’s historic roots.

“If the Prairie District townhomes were not of a Victorian design, if they were just boxy or if they were very contemporary, I think that would have turned me off to the development and I would have thought that was shameful,” Mark says.  “I love how the developers are being respectful of the mansions that are there, of the history.”

Rehabbing poses a daunting challenge for many and sometimes it’s just not possible.  On the other hand, the price of inaction has permanent consequences and many old-style homes are lost this way.

Christensen once had her eye on a Lincoln Park four-square but the utility lines needed to be redone so she passed.

“We went back a year later to see what had happened to it and a developer had purchased it and torn it down -- which is really a shame because it was a beautiful house -- and built condos there.  When I found out I was really upset,” Christensen says.

 

FOUR SQUARE SIDEBAR

  Compared to styles like Victorian or English Tudor or Italianate, the four-square is really a Plain Jane.

In fact, the average buyer does not recognize it – they just know that they like the front porch.  It is a traditional style dating as far back as 1895.  Many originals still exist around the Chicago area, but this classic is also being resurrected in housing models offered in new construction.

Modern-day versions may deviate from the four-square mold.  Older ones are basically two-story boxes with the garage in back of the house.  They look perfectly symmetrical, with four rooms on each level, one dormer, a front porch, and often a wood siding exterior.

Four-squares are Zale Homes’ biggest seller in White Caps in Kenosha because the layout suits family lifestyles, according to Sales Director Pat Mohapp,

“The great rooms were popular and they still are for certain lifestyles, but now what we are finding is that people want the accessibility,” Mohapp says.  “They want to be close but they still kind of want their separate area – and I think the four-square lends itself to that perfectly with rooms that don’t blend together so much.  They are very distinct on the floor plan.”

Aside from customer appeal, four-squares are easier and less expensive for builders.  Four-squares have no volume ceilings which means the second floor is stacked right over the first and no extra roof is needed to cover another part of the house that sticks out.

Other production builders such as Concord Homes and Town & Country Homes also offer four-squares in their line-ups.

It may be demure compared to other traditional styles, but don’t underestimate the four-square’s staying power.